Intriguing Maladies and Mysterious Afflictions

I never started off trying to write a novel. Instead I felt I might be at the end of my rope and I knew I had never come close to writing my masterpiece. Still, in my 25 years I had written some things I thought were good. Good not in they were masterful words magically arranged on a page that would change the world. Good for me at the time was having been able to write something that accurately captured the mixture of feelings and thoughts that something, somebody somewhere had inspired me to feel the need to figure things out on paper.

Once I began compiling my favorite examples of my writing I noted there was a pattern to what I considered samples of my best: that all the writing was about how hope was the sum between love and inspiration. And that elusive combination was the most powerful elixir. Finding the moments, memories and dreams that were powerful and unique that I bothered enough and inspired enough to come home and write about. I didn’t understand the inspiration, why a particular person or event was so meaningful not only to figure out what it meant, but to express how it changed me. The common connection was feeling love. I was falling in love with someone; I loved a song, a movie, a book... And what did this connection between inspiration and love leave me feeling? Hope. Hope that I was headed to something better. Hope that someone would be there with me. A shared experience that I felt compelled to share.

In collecting my writing together in one place I noticed recurring themes of inspiration, love and hope that ran throughout my favorite pieces. I wanted to write the connection between them and it occurred to me I could tie them all together in a novel. That revelation was huge, More enlightening than the most powerful anti-depressants. Realizing the line that separated reality and embellishment was razor thin. By turning nonfiction into fiction, I had the right to express other people’s feelings and thoughts about particular events about me (the protagonist). I could take whatever creative license I wanted to tell the story I wanted to tell.

What story did I choose to tell? How one character (me, on my better days) was watching another character (me in my reality) disintegrate and it equally horrified the witness and disgusted him. He chronicled the wasting of one more talented into a cesspool of self pity and depression. It kinda was like a poor second cousin rewrite of ‘Amadeus.’

For the past several years I’ve been writing a shared memoir with Marisa. The idea was to write about events that made us who we are individually, how we met, and how we’ve connected despite two completely different life stories. The challenge has always been feeling adequate telling her story because I can imagine but I can’t know how a particular event left her feeling. And her life story towers over mine in the drama and pain.

I’ve thought about overcoming these obstacles by turning to the tried and true- turning it into a novel. A piece of fiction. I’ve also thought about turning it into a self help book: here’s what we did, you want to avoid doing the same things at all costs. Lately, I’ve noticed a connecting theme in our shared story is that life doesn’t have a master plan no matter what we were told as kids. Life is a series of forks in the road and you make the best decision you can based on past experience, best guess, best intuition, and how much you trust your decision making at the moment.

It’s not exactly a tale full of love and inspiration. There is a scent of hope that what we’ve shared the past seven years has been life changing for both of us because we were able to share it together. It’s our cubby hole moment.

“Sometimes it's not enough to know the meaning of things, sometimes we have to know what things don't mean as well.”

Mr. Cameron, my high school creative writing class teacher, once asked how I was doing. I said I was doing OK. He said that was too bad because great writing comes from times in our lives when we are struggling.

In the early days of Cheapo, in the wake of the free fall, there was a day I was taking my lunch in the cubby hole built to show kids videos while the parents shopped and dropped their hard earned cash. I was joined by the newest employee, the girl with a limp from a skiing accident who I already had a huge crush on. Stephanie Jane was hired during my hospitalization. She technically might have replaced me during my indefinite leave. I knew she knew I was sad. So as I ate my PBJ and she ate a salad she probed a little, not too far, not too personal. I revealed I was haunted. That my memories turned to demons. I didn’t tell her the doctors suggested treatment was electroshock that they said would probably help with the only side effect being short term memory loss. That tempted me if only for a few moments.

Stephanie Jane then said the thing that will resonate more than anything else anyone else in my entire life has ever said to me: “Then we’ll just have to make new ones to replace the old.” And we eventually did leading to a cross country trip that was the basis for being able to write a novel.  But maybe the cure ended up being worse than the disease, winning the battle only to lose the war.

All this led to my first paid writing gig, the Cheapo Newsletter’s editor. The opportunity was a gift given to me toward the beginning of Bob Dylan’s self denied ‘Never Ending Tour.’ But the spirit of that tour inspired me. Bob was playing gigs nearly every night in smallish venues throughout the world. The setlist changed every night, the arrangements of the songs were fluid. And that was what inspired my Cheapo newsletter columns. If I wanted to be a writer I needed to put my depression, my past, my angst, my baggage behind me. I just needed to take advantage of this incredible oppportunity to do the thing I love doing best, create and express myself and then share it through my writing. Just write no matter how wrong.

The new memories Stephanie Jane promised were meant to inspire me to reconnect with my muse, the thing that balanced me: my writing. I suffered long and hard once that muse disappeared. Hope, the bridge between love and inspiration burned down. Eventually I gave up believing in the myth Mr. Cameron’s lesson. Being a writer didn’t mean being tortured. Being a writer simply meant writing, being willing to share my writing warts and all, and being strong enough to accept the consequences.

They always say fill a room full of monkeys at typewriters and they could produce something Shakespearean. Give me a weekly writing gig for 14 years and once in a blue moon the self conscious filters let my muse express something true, authentic, that somehow manage to straddle the line between intimately personal and universally relatable.

The raw intensity of love inspires me to write something that came out of nowhere, that almost felt like it wrote itself and I just needed to get out of my way. Rereading my Cheapo newsletter columns the best are the ones that were inspired by things like Mr. Max enjoying green beans fresh out of the garden, attending Bob Dylan concerts and Sandra Bullock movies.

The lesson I’ve learned in trying to write a memoir is that the older you get you learn new memories don’t replace the old ones. They can add to them or enhance them or make you feel said because they don’t have the same meaning and power. Memories are like waves; they move forward and splash back and in the middle they intertwine. Watching my Dad die from Alzheimer’s/Dementia, it was heartbreaking and illuminating that in the end he could remember things that happened 50 years ago better than he could something that happened five minutes before. It was like the moments that were worth remembering, that initially ingrained themselves so powerfully retained their power or at least because he had remembered them so strongly for 50 years he remembered them until the very end.

Recently, I woke up around 1:30 a.m. and couldn’t fall back to sleep, a lifelong affliction. So I went down to the living room to try and fall asleep on the couch. It dawned on me how many years of accumulated stuff I have. The love seat is Katie’s, her first splurge purchase after finding a new life. The couch is from Niki, Jenny Engh’s former administrative assistant. The piano is from my sister Donna. The coffee table was a gift from us kids to mom and dad on a wedding anniversary. The rug was a housewarming gift from mom and dad. The drapes are from Amy. The TV was the one Pistol Pete and I bought (Stephanie helped move it from Linwood to Raymond). The receiver attached to the TV is the first stereo I got, the one I got in junior high and used to do my imaginary WQSR programming on. I’m made of the memories that the stuff represents.

But what the wave has taught me as I bob back and forth from that day in the cubby hole with Stephanie is a lesson that’s taken me 30 years to learn: that creating new memories and moving forward and not being haunted is a definite must. But it’s that shared singular moment, a true moment of kindness and hope, and sharing it with someone living in the moment, that’s equally important. Be here now.