"Don't touch my bear," lil Bobbi Jo said. "Your bare what?" the boy replied knowing as always he was being a smart aleck, a wise guy.
A soft furry taupe colored bear lay on Bobbi Jo's pillow. The boy had mindlessly picked it up while thinking about much greater issues than a stuffed teddy bear that was obviously immaculately well taken care of, and the boy was later to learn had been the prized possession of a very young Bobbi Jo. Yet the bear he now touched had the scent of the current woman, a fresh, clean and scrubbed sea breezy smell that lingered in the boy's nostrils long after she had left the room.
Bobbi Jo was upset and the boy didn't think it was only because he had touched her bear. If that was all there was to it, the still painful 17-year-old memory would be a little too much to bear (bare).
Bobbi Jo had left in a huff. The boy was more of a wanderer. And now 17 years after he had touched her bear and she touched him bare, years after he recounted the story in countless therapy sessions more out of his own amusement than trying to figure out its continued hold on him, he still wasn't sure he learned his lesson.
He was always tired. He found his mind drifting at the same time as it remained obsessed with the minute details of his life and he wasn't sure how exactly that was possible. He flicked on the newscast and heard that down in the southwestern part of the state a woman had stopped her car to assist a man stranded on the side of the road. She got out of her car and he grabbed her and she had somehow managed to break loose and escape.
That night the boy had a restless dream where he was driving his car down an icy road and he saw a man with a broken down vehicle trying to signal him to stop. So he did, but just for a minute. The boy got out of his car and the man put a vise like grip round his throat. The boy jerked himself awake only to find his dog sized always playful black cat pawing at his neck. Another sleepless night.
The boy was in a place where he had to keep forcing himself to look forward, forward to future events, forward to things that were bound to happen rather than things long since lost and unexplained. So when it became public knowledge that his favorite artist/musician/singer/writer/inscrutable scruffy curmudgeon was coming to town again and this time at a friendly sized venue, the boy immediately went online and bought tickets through the artist's website a day before they went on sale to the general public. He purchased two tickets figuring he could find someone who would want to see the must see show.
But the boy figured wrong.
Facing the scenario of eating a $45 ticket and going by himself, the boy tried to convince himself that there could be worse problems in this crumbling world to face. Besides he probably would enjoy the show more if he went by himself than worrying about whether the person with him was at all enjoying what is always a spur-of-the-moment offering.
The boy had recently got a hold of a copy of a CD of this idiosyncratic artist's show last fall in Germany. This particular show featured a performance of the boy's favorite song from the artist, "Boots of Spanish Leather." The song was an early song written by a young lad who had only recently really had his heart broken. It's a song about a singer watching his girlfriend leave for a trip to Spain, not knowing if he'll ever see her again, and if he does knowing that their relationship has some irreconcilable differences. So in one of the few times in his career the artist lays it all on the line and touches something less than cleverly bare. And in a new arrangement of the song he nails it with precision and care.
The new arrangement takes an acoustic song and adds a lilting full band treatment that casts it in a new light at the same time as it reminds how it is our memory of how things once were, whether they be comforting or confusing that can be the place where one never quite leaves, not because of lack of effort but because it is too much to bear.
Monday, February 23, 2004
Monday, February 16, 2004
Goodnight Irene
"Please don't make me cry with my circus makeup on..."
-Carol Phyllis Vescey
So I'm boarding America West flight number 625 from Minneapolis to Phoenix on my way to Long Beach, California. For boarding purposes the airline has divided us passengers into groups of what turns out to be seven. Group one and two are the first to get called to board the plane (after those in first class and those with small children and those who need help getting seated). Group three is called a few minutes later. I'm part of group four having a seat in the front of the plane so I begin gathering my things (a carry on suitcase and laptop computer). A pretty young Asian girl is seated across from me and keeps rather obviously looking at me. Is hers a glance of attraction or of fear of me being a terrorist? I'm really not sure.
Finally the chirpy middle-my aged blonde flight attendant calls out group four and as I stand up I notice the pretty young Asian woman seated across from me is also standing up. This makes me wonder how exactly they divvied up the groups. She is seated closer to the gate than I am yet I am more prepared so I pass her on my way to stand in line (group three is still boarding the plane). The line moves at a pace where it's not clear whether or not one should put down one's heavy carry on luggage or whether it'd be more work to keep moving in line while constantly picking up and putting down the suitcase. I decide to hold on. It shouldn't be too long before I'm seated in my assigned seat (6F- a window seat). Sure enough I find myself standing next to the chirpy middle-my aged blonde flight attendant that tears my ticket and sends me on my merry way.
As I approach my seat I see an elderly woman with sunglasses on sitting in 6D, the aisle seat to my row. As I stop in front of her she slowly looks up and says, "Do you have to get in?" And I say yes I do, I have the window seat. We both agree that it would be nice if the seat between us remains empty. She sluggishly gets up and lets me by. I excuse myself and squeeze on past, all the while thinking ahead and hoping my carry on luggage fits underneath the seat in front of me so I don't have to stow it in the overhead bins. It's a tight fit but I squish my vinyl suitcase beneath the all too close seat in front of me leaving me just about three inches of foot room or in other words, more than enough.
While settling in the elderly woman tells me her name is Irene and Irene and I both agree that it is cold on the airplane. The temperature outside is 11 degrees below zero and we are soon to find out the flight beverage service is hampered by the frigid cold- the water line is frozen so no one can have coffee. Irene looks over and again mutters how she hopes no one is seated between us and I look back wishing I could see her eyes that are hidden behind the dark shades. It's evident that this is not meant to be a non-conversation flight. She tells me she lives in Oakland and I ask her what she is doing in Minneapolis. Irene looks sad. She tells me that she was in Rochester visiting her sister who had to have her feet amputated. "This has not been a very fun trip but I guess it could have been worse," she says and later repeats the same phrase a couple of different times almost sounding like she's trying to convince herself as much as me.
Irene tells me that she is a retired medical doctor that served in the military. After we take off and the pilot informs us of the altitude we are cruising at Irene tells me that once in the 40's she was training aboard a military plane where they were learning about the effects of altitude. She tells me of the time of flying at a high altitude (though lower than the one we are presently at) where she was instructed to take off her oxygen mask and identify cards from a deck of playing cards. She said she kept seeing the queen of diamonds over and over right before she tipped over. She asks me what I do for a living and when I reply, "I work for the government," she patiently awaits more information to clarify exactly what I do for a living. When she ascertains I'm not a politician she lowers her voice and tells me how she thinks we should get this country back on track. "They keep telling us that the Chinese have nuclear weapons pointed at Oakland. I think we should get them to launch them at Washington DC and we should move our Capitol to Iowa. Get rid of 'em all," she says adding a disclaimer that she really shouldn't say such things in public less the wrong person overhears her beliefs.
Irene goes on to tell me that what really is wrong with this country is that too many people are taking advantage of government welfare and that others who don't have the discipline to finish college are keeping others out who deserve to be there, and those that think and speak in a language other than English should realize how that hurts the very impression they make on others in this country and how that makes them reflect badly on those who matter, and that people should stop criticizing the top one percent income earners since they are the ones creating jobs and that Bill Clinton is personally going to hell for being responsible for the decline of morals in the youth of this country and how there should be a license required for people to have children and how she is in the process of moving from Oakland to Carson City, Nevada because she is tired of the "eco-freaks" and how unsafe she feels walking the streets of Oakland.
I bite my tongue at some of what she is telling me mostly because she keeps trying to qualify her thoughts, "Am I a snob for thinking this?" and "When you get to be my age you realize that you can speak your mind and if people don't agree they don't have to listen," and I realize that in the small chance that I do live to be her age it is very likely that I'll be a crotchety and bitter old man (who will eternally be damned, constantly wondering what might have been if only things could have been different all the while wondering why where what is and what should be are somehow the same) and will be pleasantly surprised that anyone would ever pay attention to me.
Listening to Irene I also realize that there is something simply poetic that somehow our seats are right in front of the right wing of the plane. Irene also tells me she's recovering from a broken neck suffered in a fall and how she never married because being a female military doctor meant that she had to choose between her career and a family. She appears frail yet she tells me she's worried about gaining weight since she was once over 200 pounds ("I learned that if my friends were going to judge me by weight the I didn't need them...") but now has gained 8 pounds up to 148 since she broke her neck.
After a few minutes of silence the real reason for our encounter becomes clear- she is a cat lover who takes in strays because they need a place to live. All during our conversation I couldn't stop thinking of the two cats (seven limbs between them) that I was leaving alone for the first extended period of time.
The plane is landing and Irene tells me she's enjoyed talking with me and that she knows I'll go far because I care about education and I care about public service and I love my cats. I wish her the best and for one of the rare instances of my current state of using every last bit of energy just to get by, I really really mean what I'm saying.
So a little later on I approach a hotel bartender and ask for a "Windsor water and a buttery nipple on the rocks." The curly dark haired young lad looks back at me blankly. Ordering my friend's drink has caused me some instant embarrassment and she smiles knowing it would. "Two shots butterscotch schnapps one shot Bailey's," I say merely repeating what my friend with a shock of red hair had told me all the while hoping to clarify things without melting away.
"I know what a buttery nipple is. I don't know what a Windsor water is," the bartender brusquely says to my utter (udder?) surprise. I then reorder a whiskey water. Placing two glasses in front of me, the one that holds my friend's order that seems a bit shallow in its execution. "$11.50." the bartender says in a matter of fact, I don't like you, tone of voice. Welcome to sunny California.
During the conference (with classes still to come) we take a psychological test. As always I wonder if I have passed, and how I stack up compared to others. I'm a bit concerned to learn that I don't possess any of the physical manifestations of stress (headaches, wheezing, allergic sensitivity, nausea, muscle tension, neck or backaches) knowing full well that the person in the garden shirt next to me has suffered from several of these telltale signs. Just where is my stress manifesting itself? The rest of the test is equally stressful. I learned I earned the highest score in the entire room on the "emotional warnings" portion of the test ("fatigue, withdrawal, restless sleep, general discontent") but I don't raise my hand with pride when the instructor is asking us to reveal our scores. I also score rather high on the "mental warnings" section but not as high on the "life change index" as the person seated next to me.
So I'm back in a hotel room sad that I know the person I'll always everlastingly be in love with on a scale not matched before or since will never love me back and yet proud that we still have somehow managed to remain close friends. I remember the time we were lying down watching a movie together and how much she means to me- how much whatever she thinks, whatever else is in her heart, means to me (even though it's seldom if ever is about me). And how I wish she could know just how much she has gotten through in a time where that is rather impossible for other people. I'm feeling rather guilty (in a Catholic way even if I'm not exactly Catholic) because I know other friends are quite concerned over my recent state of being and state of mind. And as I eat my battered whitefish and I miss her even if she's always present, always there in one way or another. And I think of that famous Leadbelly song that I sometimes sing to myself and I wonder how much more of this one is meant to take.
13 or 17 years later and it all comes down to this? 17 years ago in the midst of some troubles I spent a healing month in Los Angeles with my sister. Basically I drove to the beach every day took a long walk and then tried to write. Tried to write what went wrong. Tried to write where I emotionally was at. Tried to write. 13 years ago I took another trip. This one was in the opposite direction although it was eerily was like the other trip for altogether similar and different reasons.. I did a lot of driving and even more walking. I tried to find spots to write. Now here I am on another trip and tonight I took a walk down to the pier by the new development to clear my head. I didn't do any writing but still it occurred to me what a different place I'm at. Those other trips seem so far away and seem like I was such a different person. Finding myself on the coast I want to find a seafood restaurant. I walk and walk some more but all I can find are chain restaurants and those are filled with young good-looking couples and people waiting in large groups. An elderly woman approaches me as I'm looking at the directory trying to truly figure out where I am. "Is that a movie theater?" she asks pointing to a huge complex with a sign that says "CINEMARK." It's the same complex that my friend had pointed out the day before because of its clever name. I tell the elderly woman that I think it is indeed a movie theater. She looks at it and back at me. "Do I have to go up the stairs to get there or is there an elevator somewhere?" Seeing the theater is about a block away and seeing I'm not really from the area, I'm not sure but I point her towards a set of doors on the sidewalk level. A little while later as I'm actually walking by those doors I notice they lead to a room full of a bunch of construction equipment.
So I give up my quest for a seafood dinner and start walking back to my hotel. I then stumble across an Indian restaurant tucked underneath a cement building. I wander in and see that there is no one else in the whole place except the staff. I am politely seated and I order a shrimp vindaloo dish. It is one of the most tasty meals I've had in a long long while. Enjoying where I was at for a minute I was returned to those other places and times and long long walks trying to figure out where I was really at. Just gotta keep moving I says to myself.
On my trip back to the airport Joe, the shuttle guy, picks me up. He's an elderly gentleman, originally from New York, and he spent some of the 1950's in Minneapolis working at some business on Hennepin Avenue. Joe's Italian but lives next to a recently widowed Japanese American woman who often brings he and his wife (she's Sicilian) food for helping her out with stuff. Once Joe finds out I'm a Twins fan we talk baseball (ironically Denny Hocking is on my flight back). Suddenly I've become a guy elderly folk approach and comfortably talk to. Could it be because I'm close to becoming one of them?
On the return flight home to cold snowy Minnesota the in-flight movie is Cuba Gooding Jr.'s Radio. Since I decide not to put down the $5 needed to purchase headphones to listen to the movie I guess you could say I was watching the Radio only without the sound.
-Carol Phyllis Vescey
So I'm boarding America West flight number 625 from Minneapolis to Phoenix on my way to Long Beach, California. For boarding purposes the airline has divided us passengers into groups of what turns out to be seven. Group one and two are the first to get called to board the plane (after those in first class and those with small children and those who need help getting seated). Group three is called a few minutes later. I'm part of group four having a seat in the front of the plane so I begin gathering my things (a carry on suitcase and laptop computer). A pretty young Asian girl is seated across from me and keeps rather obviously looking at me. Is hers a glance of attraction or of fear of me being a terrorist? I'm really not sure.
Finally the chirpy middle-my aged blonde flight attendant calls out group four and as I stand up I notice the pretty young Asian woman seated across from me is also standing up. This makes me wonder how exactly they divvied up the groups. She is seated closer to the gate than I am yet I am more prepared so I pass her on my way to stand in line (group three is still boarding the plane). The line moves at a pace where it's not clear whether or not one should put down one's heavy carry on luggage or whether it'd be more work to keep moving in line while constantly picking up and putting down the suitcase. I decide to hold on. It shouldn't be too long before I'm seated in my assigned seat (6F- a window seat). Sure enough I find myself standing next to the chirpy middle-my aged blonde flight attendant that tears my ticket and sends me on my merry way.
As I approach my seat I see an elderly woman with sunglasses on sitting in 6D, the aisle seat to my row. As I stop in front of her she slowly looks up and says, "Do you have to get in?" And I say yes I do, I have the window seat. We both agree that it would be nice if the seat between us remains empty. She sluggishly gets up and lets me by. I excuse myself and squeeze on past, all the while thinking ahead and hoping my carry on luggage fits underneath the seat in front of me so I don't have to stow it in the overhead bins. It's a tight fit but I squish my vinyl suitcase beneath the all too close seat in front of me leaving me just about three inches of foot room or in other words, more than enough.
While settling in the elderly woman tells me her name is Irene and Irene and I both agree that it is cold on the airplane. The temperature outside is 11 degrees below zero and we are soon to find out the flight beverage service is hampered by the frigid cold- the water line is frozen so no one can have coffee. Irene looks over and again mutters how she hopes no one is seated between us and I look back wishing I could see her eyes that are hidden behind the dark shades. It's evident that this is not meant to be a non-conversation flight. She tells me she lives in Oakland and I ask her what she is doing in Minneapolis. Irene looks sad. She tells me that she was in Rochester visiting her sister who had to have her feet amputated. "This has not been a very fun trip but I guess it could have been worse," she says and later repeats the same phrase a couple of different times almost sounding like she's trying to convince herself as much as me.
Irene tells me that she is a retired medical doctor that served in the military. After we take off and the pilot informs us of the altitude we are cruising at Irene tells me that once in the 40's she was training aboard a military plane where they were learning about the effects of altitude. She tells me of the time of flying at a high altitude (though lower than the one we are presently at) where she was instructed to take off her oxygen mask and identify cards from a deck of playing cards. She said she kept seeing the queen of diamonds over and over right before she tipped over. She asks me what I do for a living and when I reply, "I work for the government," she patiently awaits more information to clarify exactly what I do for a living. When she ascertains I'm not a politician she lowers her voice and tells me how she thinks we should get this country back on track. "They keep telling us that the Chinese have nuclear weapons pointed at Oakland. I think we should get them to launch them at Washington DC and we should move our Capitol to Iowa. Get rid of 'em all," she says adding a disclaimer that she really shouldn't say such things in public less the wrong person overhears her beliefs.
Irene goes on to tell me that what really is wrong with this country is that too many people are taking advantage of government welfare and that others who don't have the discipline to finish college are keeping others out who deserve to be there, and those that think and speak in a language other than English should realize how that hurts the very impression they make on others in this country and how that makes them reflect badly on those who matter, and that people should stop criticizing the top one percent income earners since they are the ones creating jobs and that Bill Clinton is personally going to hell for being responsible for the decline of morals in the youth of this country and how there should be a license required for people to have children and how she is in the process of moving from Oakland to Carson City, Nevada because she is tired of the "eco-freaks" and how unsafe she feels walking the streets of Oakland.
I bite my tongue at some of what she is telling me mostly because she keeps trying to qualify her thoughts, "Am I a snob for thinking this?" and "When you get to be my age you realize that you can speak your mind and if people don't agree they don't have to listen," and I realize that in the small chance that I do live to be her age it is very likely that I'll be a crotchety and bitter old man (who will eternally be damned, constantly wondering what might have been if only things could have been different all the while wondering why where what is and what should be are somehow the same) and will be pleasantly surprised that anyone would ever pay attention to me.
Listening to Irene I also realize that there is something simply poetic that somehow our seats are right in front of the right wing of the plane. Irene also tells me she's recovering from a broken neck suffered in a fall and how she never married because being a female military doctor meant that she had to choose between her career and a family. She appears frail yet she tells me she's worried about gaining weight since she was once over 200 pounds ("I learned that if my friends were going to judge me by weight the I didn't need them...") but now has gained 8 pounds up to 148 since she broke her neck.
After a few minutes of silence the real reason for our encounter becomes clear- she is a cat lover who takes in strays because they need a place to live. All during our conversation I couldn't stop thinking of the two cats (seven limbs between them) that I was leaving alone for the first extended period of time.
The plane is landing and Irene tells me she's enjoyed talking with me and that she knows I'll go far because I care about education and I care about public service and I love my cats. I wish her the best and for one of the rare instances of my current state of using every last bit of energy just to get by, I really really mean what I'm saying.
So a little later on I approach a hotel bartender and ask for a "Windsor water and a buttery nipple on the rocks." The curly dark haired young lad looks back at me blankly. Ordering my friend's drink has caused me some instant embarrassment and she smiles knowing it would. "Two shots butterscotch schnapps one shot Bailey's," I say merely repeating what my friend with a shock of red hair had told me all the while hoping to clarify things without melting away.
"I know what a buttery nipple is. I don't know what a Windsor water is," the bartender brusquely says to my utter (udder?) surprise. I then reorder a whiskey water. Placing two glasses in front of me, the one that holds my friend's order that seems a bit shallow in its execution. "$11.50." the bartender says in a matter of fact, I don't like you, tone of voice. Welcome to sunny California.
During the conference (with classes still to come) we take a psychological test. As always I wonder if I have passed, and how I stack up compared to others. I'm a bit concerned to learn that I don't possess any of the physical manifestations of stress (headaches, wheezing, allergic sensitivity, nausea, muscle tension, neck or backaches) knowing full well that the person in the garden shirt next to me has suffered from several of these telltale signs. Just where is my stress manifesting itself? The rest of the test is equally stressful. I learned I earned the highest score in the entire room on the "emotional warnings" portion of the test ("fatigue, withdrawal, restless sleep, general discontent") but I don't raise my hand with pride when the instructor is asking us to reveal our scores. I also score rather high on the "mental warnings" section but not as high on the "life change index" as the person seated next to me.
So I'm back in a hotel room sad that I know the person I'll always everlastingly be in love with on a scale not matched before or since will never love me back and yet proud that we still have somehow managed to remain close friends. I remember the time we were lying down watching a movie together and how much she means to me- how much whatever she thinks, whatever else is in her heart, means to me (even though it's seldom if ever is about me). And how I wish she could know just how much she has gotten through in a time where that is rather impossible for other people. I'm feeling rather guilty (in a Catholic way even if I'm not exactly Catholic) because I know other friends are quite concerned over my recent state of being and state of mind. And as I eat my battered whitefish and I miss her even if she's always present, always there in one way or another. And I think of that famous Leadbelly song that I sometimes sing to myself and I wonder how much more of this one is meant to take.
13 or 17 years later and it all comes down to this? 17 years ago in the midst of some troubles I spent a healing month in Los Angeles with my sister. Basically I drove to the beach every day took a long walk and then tried to write. Tried to write what went wrong. Tried to write where I emotionally was at. Tried to write. 13 years ago I took another trip. This one was in the opposite direction although it was eerily was like the other trip for altogether similar and different reasons.. I did a lot of driving and even more walking. I tried to find spots to write. Now here I am on another trip and tonight I took a walk down to the pier by the new development to clear my head. I didn't do any writing but still it occurred to me what a different place I'm at. Those other trips seem so far away and seem like I was such a different person. Finding myself on the coast I want to find a seafood restaurant. I walk and walk some more but all I can find are chain restaurants and those are filled with young good-looking couples and people waiting in large groups. An elderly woman approaches me as I'm looking at the directory trying to truly figure out where I am. "Is that a movie theater?" she asks pointing to a huge complex with a sign that says "CINEMARK." It's the same complex that my friend had pointed out the day before because of its clever name. I tell the elderly woman that I think it is indeed a movie theater. She looks at it and back at me. "Do I have to go up the stairs to get there or is there an elevator somewhere?" Seeing the theater is about a block away and seeing I'm not really from the area, I'm not sure but I point her towards a set of doors on the sidewalk level. A little while later as I'm actually walking by those doors I notice they lead to a room full of a bunch of construction equipment.
So I give up my quest for a seafood dinner and start walking back to my hotel. I then stumble across an Indian restaurant tucked underneath a cement building. I wander in and see that there is no one else in the whole place except the staff. I am politely seated and I order a shrimp vindaloo dish. It is one of the most tasty meals I've had in a long long while. Enjoying where I was at for a minute I was returned to those other places and times and long long walks trying to figure out where I was really at. Just gotta keep moving I says to myself.
On my trip back to the airport Joe, the shuttle guy, picks me up. He's an elderly gentleman, originally from New York, and he spent some of the 1950's in Minneapolis working at some business on Hennepin Avenue. Joe's Italian but lives next to a recently widowed Japanese American woman who often brings he and his wife (she's Sicilian) food for helping her out with stuff. Once Joe finds out I'm a Twins fan we talk baseball (ironically Denny Hocking is on my flight back). Suddenly I've become a guy elderly folk approach and comfortably talk to. Could it be because I'm close to becoming one of them?
On the return flight home to cold snowy Minnesota the in-flight movie is Cuba Gooding Jr.'s Radio. Since I decide not to put down the $5 needed to purchase headphones to listen to the movie I guess you could say I was watching the Radio only without the sound.
Monday, February 2, 2004
I) Liner Notes
In the 12 years we have filled this page of the newsletter, (always successfully filled, once in a while successfully filled the way I'd really like) we have managed to write concert and CD reactions (conceding that they're not truly reviews), reflections on movies and TV, and the tales of some most admired kitties and friends. One thing we've never really done is write about books and I guess there's a reason for that (as always you'll be the judge whether it qualifies as a good reason or not).
The reason being during my first really difficult bout of writer's block it got to the point where I couldn't read books. I'd pick something up and I'd read it and I'd get sad because what I was reading was something I'd rather be writing and the gulf between the two seemed wider than the first and last chapters of War and Peace.
It's been quite a few years since then and I don't know if I ever got back to the point of reading many books. A guy only has so many hours in a day and when you have as many episodes of Buffy to watch and Dylan songs to listen to, well it's a mere blink of an eye (albeit more often than not a bleary blink at that) from the time my alarm clock clicks on in the morning to the time I climb further underneath my blessedly warm down comforter late at night.
A good book to me is the only thing that rivals a great musical experience in terms of making a convincing argument for a higher being. When a good writer is able to express a story that both inspires and enlightens it's quite a powerful thing to behold. And that is exactly why I'm quite enjoying making my way through Nick Hornby's latest book, Songbook. The book is a collection of essays about Hornby's favorite songs and how they have woven there way so deep inside that they've become part of him, coloring different experiences of his life.
The most enjoyable part of Hornby's essays is that he freely admits that the songs he has chosen to write about are the ones that for him withstand the test of time- the ones he finds himself listening to over and over. So while he admits there are better songs (like "Hey Jude" and "God Save the Queen") than Nelly Furtado's "I'm Like a Bird," Hornby goes on to wonderfully describe how the latter song means more because it makes his ears perk up each and every time he listens to it.
Reading Songbook is like listening to a compilation of songs that someone has been kind enough to burn for you. Making mixes for others is a wonderful gesture of friendship- part revealing yourself, part sharing something that you hope can mean as much to the recipient as it does to you. Over the past couple of years the Blue-Eyed Editor has kindly given me two killer mixes and told me the other night over a Pad Thai dinner that she has a third ready (that she cleverly is calling The Wintery Mix). Her mixes are great because she puts a lot of thought behind not only the selection of songs-but the sequencing and the mix of well known artists with some others she wants me to know better.
Likewise my talented Wardrobe Manager has become a recent fanatic of making techno mixes that she shares with me. Admittedly I've never been that big a fan of dance music but her mixes are getting constant play around these parts not only because I've been in a head-bobbing mood of late but more importantly because her personality comes intoxicatingly bouncing off of the mixes she has put together.
Granted some of the songs from Cherry Bikini to Sweet Pussy Pauline, from Lang Krieg to DJ Merlin can most definitely make a grown man blush but how will I ever reach a day when I hear Skip's singalong "Crab Cakes" and not break into a wide grin not only over the silly lyrics and arrangement but also hearing the mix maker's own version screeched at the top of her lungs, at the top of her vocal range with her voice cracking and me cracking up? "Crab cakes for yewww... crab cakes for uewww... Whatrya gonna do with all those crab cakes, I got for yeuuuu?" Technocally speaking I may be turning off my critical faculties but as Nick Hornby writes, that may not always be such a bad thing to do.
The reason being during my first really difficult bout of writer's block it got to the point where I couldn't read books. I'd pick something up and I'd read it and I'd get sad because what I was reading was something I'd rather be writing and the gulf between the two seemed wider than the first and last chapters of War and Peace.
It's been quite a few years since then and I don't know if I ever got back to the point of reading many books. A guy only has so many hours in a day and when you have as many episodes of Buffy to watch and Dylan songs to listen to, well it's a mere blink of an eye (albeit more often than not a bleary blink at that) from the time my alarm clock clicks on in the morning to the time I climb further underneath my blessedly warm down comforter late at night.
A good book to me is the only thing that rivals a great musical experience in terms of making a convincing argument for a higher being. When a good writer is able to express a story that both inspires and enlightens it's quite a powerful thing to behold. And that is exactly why I'm quite enjoying making my way through Nick Hornby's latest book, Songbook. The book is a collection of essays about Hornby's favorite songs and how they have woven there way so deep inside that they've become part of him, coloring different experiences of his life.
The most enjoyable part of Hornby's essays is that he freely admits that the songs he has chosen to write about are the ones that for him withstand the test of time- the ones he finds himself listening to over and over. So while he admits there are better songs (like "Hey Jude" and "God Save the Queen") than Nelly Furtado's "I'm Like a Bird," Hornby goes on to wonderfully describe how the latter song means more because it makes his ears perk up each and every time he listens to it.
Reading Songbook is like listening to a compilation of songs that someone has been kind enough to burn for you. Making mixes for others is a wonderful gesture of friendship- part revealing yourself, part sharing something that you hope can mean as much to the recipient as it does to you. Over the past couple of years the Blue-Eyed Editor has kindly given me two killer mixes and told me the other night over a Pad Thai dinner that she has a third ready (that she cleverly is calling The Wintery Mix). Her mixes are great because she puts a lot of thought behind not only the selection of songs-but the sequencing and the mix of well known artists with some others she wants me to know better.
Likewise my talented Wardrobe Manager has become a recent fanatic of making techno mixes that she shares with me. Admittedly I've never been that big a fan of dance music but her mixes are getting constant play around these parts not only because I've been in a head-bobbing mood of late but more importantly because her personality comes intoxicatingly bouncing off of the mixes she has put together.
Granted some of the songs from Cherry Bikini to Sweet Pussy Pauline, from Lang Krieg to DJ Merlin can most definitely make a grown man blush but how will I ever reach a day when I hear Skip's singalong "Crab Cakes" and not break into a wide grin not only over the silly lyrics and arrangement but also hearing the mix maker's own version screeched at the top of her lungs, at the top of her vocal range with her voice cracking and me cracking up? "Crab cakes for yewww... crab cakes for uewww... Whatrya gonna do with all those crab cakes, I got for yeuuuu?" Technocally speaking I may be turning off my critical faculties but as Nick Hornby writes, that may not always be such a bad thing to do.
Monday, January 26, 2004
Straight Up
Maybe it's because the people I tend to hang with these days (when I'm in the rare mood to hang) are for the most part, merely different shades of jade. Or maybe because with everything else going on in this world it's natural to think about cost and implication first (and second), with wonderment coming in a distant third. But I have to admit I'm both bewitched and bewildered by those recent stunning photographs coming back from Mars.
Yeah in essence all we've been seeing are pictures of rocks. I could go outside my door, take a picture of my backyard and get something similar looking (although my yard really doesn't have that many rocks, Mars doesn't have my weeds, nor have we yet seen any pictures of a dilapidated garage- the kind that sits just outside my kitchen window). Yet it is kinda mind blowing to contemplate how far away those rocks are and where the crystal clear pictures are actually coming from. Never has such a barren landscape looked so beautiful and awe inspiring.
That is unless you plop Yasujiro Ozu's 1953 masterpiece Tokyo Story into your DVD player. Ozu isn't as well known in this country as Akira Kurosawa yet from everything I've read many Japanese consider him their finest filmmaker. Tokyo Story is a definitive example of why this might be.
The movie's story is starkly simple. An elderly couple who live in the country decide to visit their adult children in Tokyo. While there they discover their children have busy lives and don't have much time to spend with them. The couple cut their trip short and upon returning home, the mother becomes ill and dies. The children are thus forced to deal not only with their grief but also some mandatory guilt that they didn't spend more time with their parents when they had the chance.
But Tokyo Story isn't a melodrama (in the Hollywood sense) nor is it an indictment of selfish behavior by the children. What gives the movie some of its absorbing power is that the children are not monsters but recognizable. Being too busy to rearrange schedules was probably as common an occurrence as it was in 1953 Japan as it is in 2004 America. Ozu is able to make his point subtly by showing regular people doing regular people like things. It's human nature to not always appreciate the things we should until it's too late.
What makes this movie transcendental, remarkable, and unforgettable however is Ozu's skillful direction. His transition shots are often of the Japan landscape- rolling trains and fresh laundry hanging on lines and flapping in the wind. For an American viewing the film 50 years after it was made those touches provide a familiarity against a backdrop decidedly foreign. This is a movie shot by a visionary artist- with many of the camera angles being framed low off the ground- the position the couple is seen kneeling throughout the movie- giving it an unmistakable yet indescribable Japanese quality. One can't imagine Ozu's American contemporaries like Hitchcock or Billy Wilder or John Huston making the same movie quite the same way.
Thus this is a foreign movie in every sense of that term. It's not the subtitles, the Japanese landscape, nor the Asian faces that gives this away, it's the way Ozu creates a quiet movie with lots to say- how in the movie's many silent moments he forces the viewer to not only think about what is going on in the story but think about how it applies to human nature in a universal way. Tokyo Story is a great movie- one of the best I've ever seen- not because of any grand statement it makes but because its artistry seeps deep inside and enlightens at the same time as it inspires.
In one of the final scenes, the daughter-in-law, who actually goes out of her way to be kind to the elderly couple, says a farewell to the youngest daughter, who is left to take care of her father. The daughter criticizes the selfishness of her siblings while asking a sad question, "Isn't life disappointing?" And the sympathetic daughter-in-law is forced to admit "Yes it is." It's a heartbreaking scene because you realize the two characters have come to a realization that is quite inevitably apparent the more you travel through this world. The two young women smile at each other and go their separate ways. It's family that brought them together in the first place yet they aren't connected because they are related by blood. Rather they share a common bond because they are the rare who are sensitive enough to understand that selfishness is an all too universal human trait.
Yeah in essence all we've been seeing are pictures of rocks. I could go outside my door, take a picture of my backyard and get something similar looking (although my yard really doesn't have that many rocks, Mars doesn't have my weeds, nor have we yet seen any pictures of a dilapidated garage- the kind that sits just outside my kitchen window). Yet it is kinda mind blowing to contemplate how far away those rocks are and where the crystal clear pictures are actually coming from. Never has such a barren landscape looked so beautiful and awe inspiring.
That is unless you plop Yasujiro Ozu's 1953 masterpiece Tokyo Story into your DVD player. Ozu isn't as well known in this country as Akira Kurosawa yet from everything I've read many Japanese consider him their finest filmmaker. Tokyo Story is a definitive example of why this might be.
The movie's story is starkly simple. An elderly couple who live in the country decide to visit their adult children in Tokyo. While there they discover their children have busy lives and don't have much time to spend with them. The couple cut their trip short and upon returning home, the mother becomes ill and dies. The children are thus forced to deal not only with their grief but also some mandatory guilt that they didn't spend more time with their parents when they had the chance.
But Tokyo Story isn't a melodrama (in the Hollywood sense) nor is it an indictment of selfish behavior by the children. What gives the movie some of its absorbing power is that the children are not monsters but recognizable. Being too busy to rearrange schedules was probably as common an occurrence as it was in 1953 Japan as it is in 2004 America. Ozu is able to make his point subtly by showing regular people doing regular people like things. It's human nature to not always appreciate the things we should until it's too late.
What makes this movie transcendental, remarkable, and unforgettable however is Ozu's skillful direction. His transition shots are often of the Japan landscape- rolling trains and fresh laundry hanging on lines and flapping in the wind. For an American viewing the film 50 years after it was made those touches provide a familiarity against a backdrop decidedly foreign. This is a movie shot by a visionary artist- with many of the camera angles being framed low off the ground- the position the couple is seen kneeling throughout the movie- giving it an unmistakable yet indescribable Japanese quality. One can't imagine Ozu's American contemporaries like Hitchcock or Billy Wilder or John Huston making the same movie quite the same way.
Thus this is a foreign movie in every sense of that term. It's not the subtitles, the Japanese landscape, nor the Asian faces that gives this away, it's the way Ozu creates a quiet movie with lots to say- how in the movie's many silent moments he forces the viewer to not only think about what is going on in the story but think about how it applies to human nature in a universal way. Tokyo Story is a great movie- one of the best I've ever seen- not because of any grand statement it makes but because its artistry seeps deep inside and enlightens at the same time as it inspires.
In one of the final scenes, the daughter-in-law, who actually goes out of her way to be kind to the elderly couple, says a farewell to the youngest daughter, who is left to take care of her father. The daughter criticizes the selfishness of her siblings while asking a sad question, "Isn't life disappointing?" And the sympathetic daughter-in-law is forced to admit "Yes it is." It's a heartbreaking scene because you realize the two characters have come to a realization that is quite inevitably apparent the more you travel through this world. The two young women smile at each other and go their separate ways. It's family that brought them together in the first place yet they aren't connected because they are related by blood. Rather they share a common bond because they are the rare who are sensitive enough to understand that selfishness is an all too universal human trait.
Monday, January 19, 2004
Oz Sez, "Whaa?"
Where were you 601 weeks ago? Maybe you were out getting a new pair of glasses. Maybe you were out getting a divorce. Maybe you were sitting with the pubescent members of Jet listening as they plunked a few guitar chords. Well not me. Six hundred and one weeks ago on a late June afternoon I was rolling a blank piece of paper into my electric typewriter and sitting down to produce the very first Cheapo newsletter.
A lot has changed since then. We're at war in Iraq (umm... wait a minute, maybe that isn't a change). We have a Bush as President (umm....). In the corner of the newsletter office a kitty rolls himself into a ball to try and catch some sleep despite the blaring music (umm... again not so much of a change).
Yes to quote the late great Yankee catcher Thurman Munson, the more things change the more they remain the same. Six hundred and one weeks ago I was in love with someone who was no longer around. Now days the same feeling may exist for someone who might as well not be. Six hundred and one weeks ago I was up late at night editing and typing up some stories while watching the CBS late night show, One West Waikiki torn between my goofy yet disturbing attraction to Cheryl Ladd and my critical facilities that could barely stand to continue to watch such dreck. These days I experience the same thing watching The View daily because I happen to like Elisabeth Filarski (Hasselbeck).
So a dozen years later I'm listening to Atmosphere's Lucy Ford ("I hope your new boyfriend gets cancer in his d....") and I'm sure back then what I probably was listening to was Del the Funky Homosapien ("Mr. Dobalina... Mister Bob Dobba lina..."). And you call this progress? At that time I was spending my Saturday morning pricing moldy LPs at Landfill and this Saturday morning I found myself helping my friend make labels for her infectious techno CD mixes. One step forward, one step... So time tells me I've lost one cat, a constant newsletter inspiration and production observer. I've also lost my Mom, a regular proud newsletter reader.
Very few of the readers back when we started are still reading the same thing today. One of the facts of life these daze is that very few of us stay working for the same company more than a few years in a row. Six hundred and one is far too much to long a time to expect one to stay in the same place. In the fall of 1992 I went and saw Bob Dylan perform fifty different songs at five shows within a week of each other at the Orpheum in downtown Minneapolis. I've never been quite the same since and have viewed music and art (and life) in a brand new (inspirational) light since those shows. When my Mom died seven years later my friend (the techno mix maker) advised me that I would have to take baby steps to somehow deal with the loss. So upon further reflection (NFL slowmo style) I think I've done that quite well. Problem is I'm not sure if those steps have been forward or back.
If someone had told me then that 12 years (601 weeks) later we'd still be, on a weekly basis, coming out with an eight page newsletter for the employees of this company to read (and more importantly, to communicate through) and that we hadn't missed a week (issue- weak issue har har har) during that time I think I might have responded by saying that would be something to be proud about because being dependable is nothing to sneeze at. Nope, being there is something to never ever take for granted.
But enough self inflicted back patting. This is all about change while remaining the significantly the same and wondering if that's a strength, a source of pride, or if just doing something over and over really is something that is ultimately a positive. Just because you are always there doesn't mean that that is a good thing. You don't have to make that much of a difference for it to be a moot issue that keeps you up at night. You can pull back and retreat and smart all at once. Or you can plow forward, head down, both out of humility and out of necessity.
A lot has changed since then. We're at war in Iraq (umm... wait a minute, maybe that isn't a change). We have a Bush as President (umm....). In the corner of the newsletter office a kitty rolls himself into a ball to try and catch some sleep despite the blaring music (umm... again not so much of a change).
Yes to quote the late great Yankee catcher Thurman Munson, the more things change the more they remain the same. Six hundred and one weeks ago I was in love with someone who was no longer around. Now days the same feeling may exist for someone who might as well not be. Six hundred and one weeks ago I was up late at night editing and typing up some stories while watching the CBS late night show, One West Waikiki torn between my goofy yet disturbing attraction to Cheryl Ladd and my critical facilities that could barely stand to continue to watch such dreck. These days I experience the same thing watching The View daily because I happen to like Elisabeth Filarski (Hasselbeck).
So a dozen years later I'm listening to Atmosphere's Lucy Ford ("I hope your new boyfriend gets cancer in his d....") and I'm sure back then what I probably was listening to was Del the Funky Homosapien ("Mr. Dobalina... Mister Bob Dobba lina..."). And you call this progress? At that time I was spending my Saturday morning pricing moldy LPs at Landfill and this Saturday morning I found myself helping my friend make labels for her infectious techno CD mixes. One step forward, one step... So time tells me I've lost one cat, a constant newsletter inspiration and production observer. I've also lost my Mom, a regular proud newsletter reader.
Very few of the readers back when we started are still reading the same thing today. One of the facts of life these daze is that very few of us stay working for the same company more than a few years in a row. Six hundred and one is far too much to long a time to expect one to stay in the same place. In the fall of 1992 I went and saw Bob Dylan perform fifty different songs at five shows within a week of each other at the Orpheum in downtown Minneapolis. I've never been quite the same since and have viewed music and art (and life) in a brand new (inspirational) light since those shows. When my Mom died seven years later my friend (the techno mix maker) advised me that I would have to take baby steps to somehow deal with the loss. So upon further reflection (NFL slowmo style) I think I've done that quite well. Problem is I'm not sure if those steps have been forward or back.
If someone had told me then that 12 years (601 weeks) later we'd still be, on a weekly basis, coming out with an eight page newsletter for the employees of this company to read (and more importantly, to communicate through) and that we hadn't missed a week (issue- weak issue har har har) during that time I think I might have responded by saying that would be something to be proud about because being dependable is nothing to sneeze at. Nope, being there is something to never ever take for granted.
But enough self inflicted back patting. This is all about change while remaining the significantly the same and wondering if that's a strength, a source of pride, or if just doing something over and over really is something that is ultimately a positive. Just because you are always there doesn't mean that that is a good thing. You don't have to make that much of a difference for it to be a moot issue that keeps you up at night. You can pull back and retreat and smart all at once. Or you can plow forward, head down, both out of humility and out of necessity.
Monday, January 12, 2004
Call Me the Fake Spandex Man
"The mother bird has an egg and she says, 'I think my baby bird will be hungry.' So the mother bird goes to look for some food for her baby. The egg jumps and jumps and the baby cracks out of the egg. The baby says, 'Where is my mother?' He looks up and down and can't find his mother. The baby goes looking for his mother. He meets animals and things and asks, 'Are you my mother?' They all say, 'No.' When he finds his mother he is very happy.
I like this book because it is fun to read over and over again. My favorite part is when the baby bird finds his mother. This book reminded me that it is scary when you don't know where your mother is. I recommend this book to children that are learning to read because it was one of the first books that I could read all by myself."
-Lissette R. age 7
Driving to work in the wee wee hours Saturday morning I got one of those signs that God does indeed exist. On my car stereo I was cranking, and I mean seriously cranking, the techno music mix the Asthmatic Skater was kind enough to burn for me. It was almost as if I was hoping (and praying) that the searing sound of the throbbing beats along with my head bobbing would heat up the car quicker than the blowing air from my heater. In my yet to have coffee stupor I was thinking, seriously thinking, about exactly where I was/am going. And it had nothing to do with the highway I was on or the streets I was passing. Time's running out, the timing belt probably needs to be changed and my thoughts were a thousand miles away. But I snapped to when I passed the Industrial Blvd exit. Techno blaring and I pass by Industrial Blvd. If that isn't a sign of a higher being than I have to ask, what exactly is?
And call it a lame excuse because when it comes right down to it, I don't eat the right beef to come down with Mad Cow disease but it certainly could have been the Cranky Kitty disease that caused me to bet on my own softball games. So I think you can lower the alert from yellow to taupe.
I got to work and I got a whiff of the cologne worn by the tax manager who wears too much cologne and just about the time I was going to curse my nose (certainly not Obsession) I was startled that it took me back over thirty years to my days in kindergarten. Not that my teacher, Ms. Park wore man's cologne but the thing I remember most about arriving to my classroom was that it had a unique kindergarten like smell. To me it smelled of something official, of starting down a road that had an unwritten ending. That's quite a powerful scent, I now see (or sniff).
I used to get so nervous each and every day before kindergarten that my stomach would ache and I wondered why, just why, I had to leave the only home I had known for five years (going on to six). Not that I disliked kindergarten, on the contrary it was kind of cool this learning stuff, but it was a jarring change of place.
And then all these years later I'm at my most recent place of work, taking a deep whiff and some similar thoughts are bouncing around the inches behind and below my eyes. Things aren't quite as new as they were back then, though I certainly know a thing or two more (but not all that much if the final tally is to be taken). I've learned it's best to schedule a thing or two in the near and far future to be able to look forward to even though I thought Ben Kingsley's New Year's resolution was rather keen of trying to do better at living in the moment. It's the whole routine vs. dream thing that I've bored the next generation with.
Speaking of which, the blue eyed St. Paul resident and I have signed up for a writing class in February and it makes that stomach thing come to mind at the same time as it seems like something that might be more medicinal than metaphysical. Because more than ever it all boils down to wondering has anyone seen my inspiration? Cuz I'm really not sure if I have recently.
I like this book because it is fun to read over and over again. My favorite part is when the baby bird finds his mother. This book reminded me that it is scary when you don't know where your mother is. I recommend this book to children that are learning to read because it was one of the first books that I could read all by myself."
-Lissette R. age 7
Driving to work in the wee wee hours Saturday morning I got one of those signs that God does indeed exist. On my car stereo I was cranking, and I mean seriously cranking, the techno music mix the Asthmatic Skater was kind enough to burn for me. It was almost as if I was hoping (and praying) that the searing sound of the throbbing beats along with my head bobbing would heat up the car quicker than the blowing air from my heater. In my yet to have coffee stupor I was thinking, seriously thinking, about exactly where I was/am going. And it had nothing to do with the highway I was on or the streets I was passing. Time's running out, the timing belt probably needs to be changed and my thoughts were a thousand miles away. But I snapped to when I passed the Industrial Blvd exit. Techno blaring and I pass by Industrial Blvd. If that isn't a sign of a higher being than I have to ask, what exactly is?
And call it a lame excuse because when it comes right down to it, I don't eat the right beef to come down with Mad Cow disease but it certainly could have been the Cranky Kitty disease that caused me to bet on my own softball games. So I think you can lower the alert from yellow to taupe.
I got to work and I got a whiff of the cologne worn by the tax manager who wears too much cologne and just about the time I was going to curse my nose (certainly not Obsession) I was startled that it took me back over thirty years to my days in kindergarten. Not that my teacher, Ms. Park wore man's cologne but the thing I remember most about arriving to my classroom was that it had a unique kindergarten like smell. To me it smelled of something official, of starting down a road that had an unwritten ending. That's quite a powerful scent, I now see (or sniff).
I used to get so nervous each and every day before kindergarten that my stomach would ache and I wondered why, just why, I had to leave the only home I had known for five years (going on to six). Not that I disliked kindergarten, on the contrary it was kind of cool this learning stuff, but it was a jarring change of place.
And then all these years later I'm at my most recent place of work, taking a deep whiff and some similar thoughts are bouncing around the inches behind and below my eyes. Things aren't quite as new as they were back then, though I certainly know a thing or two more (but not all that much if the final tally is to be taken). I've learned it's best to schedule a thing or two in the near and far future to be able to look forward to even though I thought Ben Kingsley's New Year's resolution was rather keen of trying to do better at living in the moment. It's the whole routine vs. dream thing that I've bored the next generation with.
Speaking of which, the blue eyed St. Paul resident and I have signed up for a writing class in February and it makes that stomach thing come to mind at the same time as it seems like something that might be more medicinal than metaphysical. Because more than ever it all boils down to wondering has anyone seen my inspiration? Cuz I'm really not sure if I have recently.
Monday, January 5, 2004
2003 Woman of the Year
Previous Winners: 1992: H. Ross Perot, 1993: St. Francis of Assisi, 1994: Newt Gingrich, 1995: Cal Ripken Jr., 1996: The Bob Dole Campaign, 1997: Dolly the Sheep, 1998: El Nino, 1999: Belinda Jensen, 2000: The Taco Bell Chihuahua, 2001: Randy Moss, 2002: The Cheapo Newsletter
Being a small market newsletter with a stringent salary cap has meant that there has been a constant flux to the membership of the Newsletter Woman of the Year Selection Committee (NWOTYSC). This year the committee lost both its setup person and closer to larger market committees. It's tough to see people that you've worked with and next to over the years leave but it's the little things that have the biggest impact. Take for instant the time Agnes bought the wrong sized coffee filters meaning the committee had to for a month make due with too small filters taking extreme care to place the filter in the holder so as the grounds didn't end up in the brew. Yup, it was a rough month. So if this year's committee banquet seemed a tad low key, there is a reason. Still all in all there were plenty of wonderful candidates to sort through and this year's winner is as good as any of those who previously took home the hardware. So without further ado, here are the chosen who made the final cut:
5) The Dixie Chicks: We live in a land and a time where somehow questioning the decision of the nation's leader to go to war was more harshly criticized than that same leader's lies used to justify the war. Go figure. Yes Natalie, the committee members shared your shame.
4) Steve Bartman and the Wiener Girl: Committee members have long debated whether its better to be a participant or a spectator. This year the world of sports provided conflicting answers. First there was an incident in Milwaukee where the most exciting part of every Brewer game is where a group of adults dresses up in wiener costumes and races around the warning track. Milwaukeans sure can get worked up over dashing foam costumed bratwursts. Thus during a game against the Pittsburgh Pirates when the race was on and then Pirate Randall Simon clubbed a young woman dressed in a wiener costume on the noggin with his bat causing her to tumble like she'd been hit by Mike Tyson, it provided a weird photo op only topped by poor Steve Bartman the fan who got his hand on a foul popup causing Cub leftfielder Moises Alou to miss the ball and giving long suffering Cubs fans a goat to why the franchise once again for the 58th straight year, failed to make it to the World Series. Mr. Bartman had to be escorted by security out of the park for fear that Cubs fans would pelt him to death with their half eaten wieners. Ouch. He arrived at the ballpark expecting to cheer his team to history. He left the park a broken fan as if he had clubbed himself on top of the head with an unforgiving baseball bat.
3) Jayson Blair: It isn't often that committee members are in total agreement but the example Mr. Blair set caused everyone to shake their heads in amazement. Who would have thought that instead of dragging one's self out of bed each and every frickin work day that one could instead just phone it in? Working for one of the country's most prestigious newspapers, the New York Times, Mr. Blair decided that instead of doing the reporter's thing of actually going to a location and interviewing people he would instead just make stuff up. If only all of our jobs could be that easy and convenient.
2) Uma Thurman's Roman Toe: There is an ultra icky and disturbing moment in Quentin Tarantino's Kill Bill where Uma's character wakes from a coma to discover that she had been violated and taken advantage of (in addition to being shot and left for dead). Being sold for sex in a hospital in a comatose state gives Uma's character yet another reason for a vengeful killing streak. But first she has to gain use of her legs again. And with the ultimate determination she wills herself to move (forward). It all begins with the wiggling of her toes. And what makes the scene work is that Uma has Roman Toes- meaning her second toe is longer than her first toe. Hers is a quirky beauty and to be in the club of those who have the Roman Toe affliction is one of the reasons the committee could root for Uma even as she is severing the limbs and heads of those she feels has done her wrong.
1) Sports fans in Minnesota take for granted how lucky we are. We have been fortunate to watch some of the most incredible athletes and call them our own. Currently Minnesota fans are blessed with being able to watch Kevin Garnett play the game of basketball at a level never before seen while marveling at Randy Moss doing amazing things on a football field. And during the summer there isn't anything more beautiful than watching Torii Hunter chase down a flyball. Sadly Minnesota sports fans have to soon say goodbye to the thrills another athlete has provided over the past four years. This basketball player has such a keen court sense that she constantly amazes. She is as fun an athlete to watch as any this town has seen. That she has a gritty determination and cockiness to her game only adds to the fun. Congratulations Lindsay Whalen, a most deserving Newsletter Woman of the Year for your moxie and spunk.
Being a small market newsletter with a stringent salary cap has meant that there has been a constant flux to the membership of the Newsletter Woman of the Year Selection Committee (NWOTYSC). This year the committee lost both its setup person and closer to larger market committees. It's tough to see people that you've worked with and next to over the years leave but it's the little things that have the biggest impact. Take for instant the time Agnes bought the wrong sized coffee filters meaning the committee had to for a month make due with too small filters taking extreme care to place the filter in the holder so as the grounds didn't end up in the brew. Yup, it was a rough month. So if this year's committee banquet seemed a tad low key, there is a reason. Still all in all there were plenty of wonderful candidates to sort through and this year's winner is as good as any of those who previously took home the hardware. So without further ado, here are the chosen who made the final cut:
5) The Dixie Chicks: We live in a land and a time where somehow questioning the decision of the nation's leader to go to war was more harshly criticized than that same leader's lies used to justify the war. Go figure. Yes Natalie, the committee members shared your shame.
4) Steve Bartman and the Wiener Girl: Committee members have long debated whether its better to be a participant or a spectator. This year the world of sports provided conflicting answers. First there was an incident in Milwaukee where the most exciting part of every Brewer game is where a group of adults dresses up in wiener costumes and races around the warning track. Milwaukeans sure can get worked up over dashing foam costumed bratwursts. Thus during a game against the Pittsburgh Pirates when the race was on and then Pirate Randall Simon clubbed a young woman dressed in a wiener costume on the noggin with his bat causing her to tumble like she'd been hit by Mike Tyson, it provided a weird photo op only topped by poor Steve Bartman the fan who got his hand on a foul popup causing Cub leftfielder Moises Alou to miss the ball and giving long suffering Cubs fans a goat to why the franchise once again for the 58th straight year, failed to make it to the World Series. Mr. Bartman had to be escorted by security out of the park for fear that Cubs fans would pelt him to death with their half eaten wieners. Ouch. He arrived at the ballpark expecting to cheer his team to history. He left the park a broken fan as if he had clubbed himself on top of the head with an unforgiving baseball bat.
3) Jayson Blair: It isn't often that committee members are in total agreement but the example Mr. Blair set caused everyone to shake their heads in amazement. Who would have thought that instead of dragging one's self out of bed each and every frickin work day that one could instead just phone it in? Working for one of the country's most prestigious newspapers, the New York Times, Mr. Blair decided that instead of doing the reporter's thing of actually going to a location and interviewing people he would instead just make stuff up. If only all of our jobs could be that easy and convenient.
2) Uma Thurman's Roman Toe: There is an ultra icky and disturbing moment in Quentin Tarantino's Kill Bill where Uma's character wakes from a coma to discover that she had been violated and taken advantage of (in addition to being shot and left for dead). Being sold for sex in a hospital in a comatose state gives Uma's character yet another reason for a vengeful killing streak. But first she has to gain use of her legs again. And with the ultimate determination she wills herself to move (forward). It all begins with the wiggling of her toes. And what makes the scene work is that Uma has Roman Toes- meaning her second toe is longer than her first toe. Hers is a quirky beauty and to be in the club of those who have the Roman Toe affliction is one of the reasons the committee could root for Uma even as she is severing the limbs and heads of those she feels has done her wrong.
1) Sports fans in Minnesota take for granted how lucky we are. We have been fortunate to watch some of the most incredible athletes and call them our own. Currently Minnesota fans are blessed with being able to watch Kevin Garnett play the game of basketball at a level never before seen while marveling at Randy Moss doing amazing things on a football field. And during the summer there isn't anything more beautiful than watching Torii Hunter chase down a flyball. Sadly Minnesota sports fans have to soon say goodbye to the thrills another athlete has provided over the past four years. This basketball player has such a keen court sense that she constantly amazes. She is as fun an athlete to watch as any this town has seen. That she has a gritty determination and cockiness to her game only adds to the fun. Congratulations Lindsay Whalen, a most deserving Newsletter Woman of the Year for your moxie and spunk.
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